VÅRA PRODUKTER
BEGAGNAT / DEMO / UTGÅENDE (Used, demo, outgoing)
DEKORATION (konstgjorda växter m.m.)
LJUD (högtalare, slutsteg, filter)
LJUS (Laser, scanners, effekter, strobe, rök)
NOSTALGI-effekter (80-90-tal)
HYRESAVDELNINGEN (Rental)
SKUM, RÖK, SNÖ, T-shirt kanoner på hyra (uppdelad kategori)
SKYTRACKER, LASER, ELD, LED, UV på hyra (uppdelad kategori)
BILLJUD (Car sound)
AUTOTEK
DC AUDIO
JBL SELENIUM
US BLASTER
DIVERSE FABRIKAT
CASES
FLYING ProCASE
PIONEER CASES
CHRISTMAS DECORATION
FAIRYBELL
STARSHINE
DEKORATION för offentlig miljö (Decoration)
BLOMMOR
FONTÄNER
KAKTUSAR
PALMER
TRÄD
TRÄD (BLOMMANDE)
UV-AKTIVA VÄXTER
ÖVRIGT (till krogen, restaurangen, nattklubben m.m.)
KABLAR, KONTAKTER, HAKFÄSTEN, HANDTAG M.M. (Cabels, contacts,etc)
EURO CABEL
LAMPOR (Bulbs)
HALOGEN LAMPOR
PAR-36, 56, 64 LAMPOR
STROBE LAMPOR
URLADDN. LAMPOR (HMI, MSD etc)
UV-LAMPOR
LASER SYSTEM
KVANT LASERSYSTEM
LASERWORLD
MOON LAZERS
PANGOLIN Software
SWISSLAS SYSTEM
LJUD (Sound)
ACLON
AKG
ALLEN & HEATH
DISCO MIXERS
PA-MIXERS
DB TECHNOLOGIES
DBX Professional
DENON
DRAWMER
ESO
HÖRLURAR
JBL SELENIUM
KIND
KOBBLE AMPLIFIERS
LAB
MACKIE
MIKROFONER
NUMARK
OMNITRONIC
PIONEER
RELOOP
SHURE
SKYTEC
TRAKTOR (Native Instruments)
ZOOM
LJUS (Light)
APOGEE
BLANDADE FABRIKAT
CHAMSYS
CHAUVET LIGHTING
COEF
CUE LUX (Ljusstyrning)
DASLIGHT
DUTCHMAN (Skytrackers, Wallcolors)
EUROLITE
GENI
GRIVEN
LT LIGHT
NOVALIGHT
PEARL
PR LIGHTING
PRO-LED COMPANY (PLC)
SHOWTEC
SPEGELBOLLAR (Mirror balls)
STAR DANCEFLOOR & PANELS
STUDIO DUE
SWEET LIGHT
WORK
RÖK / CO2/SKUM / BUBBEL / SNÖ/ AIR DANCERS (Smoke, CO2, foam, bubble, snow,air)
AIR DANCERS (EURO FX)
ANTARI
CHAUVET
EURO FX
EUROLITE
GENI
MAGIC FX
MBN
ROBE
SPARKULAR
SWEFOG
T-SHIRT CANNON (EURO FX)
TCM FX
UNIVERSAL EFFECTS
VÄTSKOR, Rök-, Skum-, Bubbel-, Hazevätska
STATIV / TROSS (Elevators, hoists, truss)
ACLON Towerlifts
ALU STAGE
EUROLITE
GUIL
SELVOLINE SCENES
TROSS
VMB
DVD/ STEREO/SPEAKERS/ PROJEKTIONSDUKAR/DIKTAFONER
HOLLYWOOD VIDEOSCREENS
OLYMPUS
PIONEER
VIDEOSCREENS

Sök produkt
Summa exkl.moms: 0:-

A&H dLive S5000 Surface - 28 faders, dual 12” screens

Ring för pris!

Design for Live

There is something inherently thrilling about live sound. The immediacy of the direct interaction between the performers and the audience, the potential for anything to happen, the need to get it right first time – this is what makes live mixing so addictive. As the demands for more and more I/O and increasingly complex systems grow, there’s a danger of concentrating on the technology rather than the performance. Our design goal for dLive was to create the ultimate mixing system, with plenty of processing and flexibility to handle the most demanding live scenarios, while at the same time giving the engineer intuitive tools to comfortably keep all that power at their fingertips, freeing them to focus on the live mixing experience. 

DEEP Processing

Our DEEP processing philosophy combines the pristine quality and wide choice of boutique plug-ins with the convenience, phase coherency and low latency of onboard processing. It’s no secret that we have a passion bordering on obsession for crafting painstakingly faithful digital emulations of the most revered analogue outboard equipment. The portfolio of embedded plug-ins and proven algorithms developed for our iLive and GLD Chrome systems spans FX, Graphic EQs, Compressors, Multiband Compressors, Dynamic EQs and more. By popular demand, all have been translated across to dLive. Thanks to the power of the XCVI Core we have been able to take this further, creating hugely potent DSP kernels within the FPGA and allowing us to integrate DEEP processing into every input and mix processing channel. This gives access to an array of compressor and EQ models that can be inserted on the fly without burning FX slots and without the setup, latency and licence hassles associated with external plug-ins – they’re right there, where you need them, whenever you need them. 

dLive Ecosystem

dLive is so much more than a mixer. It is a fully developed ecosystem with over 800 system inputs and 800 outputs. The MixRack houses the XCVI core and is the brain of any dLive system. This brain is supported by surfaces, apps, software, TCP/IP control and IP remotes, all of which provide different means of controlling the mixer. Up to five 128ch I/O ports for a range of audio networking cards including all major digital protocols, the DX32 modular I/O expanders, plus full compatibility with our ME personal mixing system all extend the reach of the system. With so many control and expansion possibilities, dLive’s inherently flexible architecture enables it to conquer practically any mixing challenge.  

XCVI Core

The power of dLive emanates from the XCVI Core – pioneered by the Allen & Heath R&D team using next generation FPGA technology, with 36 parallel virtual processing cores generating enough power for 160x64 channels of processing at 96kHz sampling rate. Six parallel mixing engines within the Core calculate over 10,000 cross points per sample, while the FPGA router has capacity for 3,000 x 3,000 audio paths. The massive power of XCVI (25 billion operations per second) allows dLive to deliver 128 full processing inputs and 16 stereo FX returns, a configurable 64 bus architecture, variable bit depth for ultimate precision and noise performance, a virtually infinite mix headroom thanks to a 96bit accumulator, and class leading latency at an ultra-low 0.58ms.

 

Harmony User Interface

Where many digital consoles try to recreate the experience of using an analogue mixer, dLive is a true digital native, drawing on our familiarity with the ubiquitous smartphones and tablets that we all use without thinking. The single or twin 12” capacitive touchscreens on the dLive consoles feel instantly familiar, responding to every pinch, swipe, drag and drop exactly how you’d expect them to. Bespoke ‘widget’ areas can also be set up on the screens to keep track of scenes, meters, FX and other custom controls. The screen is framed by a set of one knob / one function rotary controls, allowing the creativity and immediacy of tactile control over key processing functions, working in harmony with the visual feedback displayed on the screen. The rotary knobs have been prototyped 20+ times to achieve optimal grip and precision control, and feature RGB illumination, with colours mapped to functions for instant visual orientation.

Transparent Workflow

As systems become ever more complex and as I/O counts grow exponentially, engineers can find themselves feeling increasingly removed from the action on stage as they are drawn more and more into managing the arsenal of technologies at their disposal. Throughout the dLive design process our guiding aim has been to create fast and transparent workflows that allow the engineer to focus on the mix, not the mixer. The dLive layout is fully customisable, allowing the user to create a mixing interface that matches their own mental map of the show. Every input or mix can be assigned to any and every bank and / or layer, virtual scribble strips allow inputs and mixes to be clearly named and colour coded for at-a-glance navigation, and the engineer has no less than 26 assignable SoftKeys at their disposal, plus 3 pages of 6 assignable rotaries per screen.

Built to Endure

Maybe it’s no coincidence that our lead mechanical designer on the dLive project used to be a tank commander. All dLive consoles have been designed to deliver the optimal balance between strength and weight, employing higher grade metal on the sides and folded steel at key points for added rigidity. Not only does every console, MixRack and expander have dual power supply slots for redundancy, but we’ve also employed the same rugged, hot-swappable PSU design across the range for maximum peace of mind and minimum inventory. Dual redundancy is also built into every audio connection throughout the system. We have also paid particular attention to console illumination, conducting rigorous trials to ensure that dLive excels in the sunny, outdoor settings where many digital consoles become almost unusable.

System
Distributed system with separate MixRack and Surface
DX32 modular expansion racks for flexible I/O
DEEP processing – powerful embedded plugins
Pro touring grade construction
Redundant hot swappable power supply common across the range
Redundant connections throughout
Up to 814 system inputs and 824 outputs
Up to 5 audio networking option cards including Dante, Waves SG, ACE, MADI
Compatible with ME personal mixing system

dLive Surfaces
Choice of 3 sizes (20, 28 or 36 faders)
Fully assignable layout – up to 216 fader strips
Harmony UI integrates screen and wrap-around controls
   Single or twin 12” capacitive touchscreen
   Gesture control – pinch, swipe, drag ‘n drop
   Configurable widget areas for Scenes, meters, FX and more
   3 pages of 6 assignable rotaries per screen
26 assignable SoftKeys
Comprehensive multipoint metering

dLive MixRacks
Choice of 3 sizes (32, 48 or 64 mic inputs)
XCVI 160x64 FPGA core
96kHz sample rate
   Variable bit-depth for ultimate precision and noise performance
   Virtually infinite mix headroom thanks to 96bit accumulator
   Class leading, ultra-low latency < 0.6ms
128 Input Channels with full processing
64 Mix Outputs with full processing
Configurable 64 bus architecture (group, FX, aux, matrix, mains)
LR, LCR and up to 5.1 mains mode
16 RackFX with dedicated stereo returns
New preamp design for extra transparency

Control
Networked wired or wireless control
Editor software for online or offline PC/Mac editing
dLive MixPad and OneMix apps
IP range of PoE remote controllers
TCP/IP protocol for third party integration
Extensive User Permissions and Profiles
Comprehensive Scene management with Cue List, multiple Scene Update,
Crossfades, Recall Filters, Embedded Recalls, Auto Store, Recall Undo 

Pris exkl.moms: 0:-
Momssumma: 0:-
Pris inkl.moms: 0:-


 

P.A.M.-PRO LIGHT & SOUND   -   Ekendals väg 5   -   683 33 HAGFORS   -   0563 - 133 55   -   076 - 809 83 95